raviata
Traviata
schitti Tschitti Bäng Bäng
ead Man Walking
reckers
Hoffmanns Erzählungen
Das Opernmagazin, Detlef Obens, 27.01.2024:
"From the first to last minute, her character, the Muse was present on stage: the mezzo-soprano Lotte Kortenhaus was convincing vocally and dramatically in this production. With a warm voice, a pleasant low register and full of vocal radiance in the appropriate passages, her Muse was simply impressive. Bravo for a great performance in this demanding opera role! She absolutely deserved her huge ovation from the audience."
offmanns Erzählungen
H
T
Tschitti Tschitti
Bäng Bäng
LZ, Axel Bürger, 09.04.2024
"Parallel to the heros in the musical, the “villains” developed their roles perfectly: child-hater Baroness Bumburst (Lotte Kortenhaus) sang and played her way into the heart of Satan, while her husband wandered between “full-blooded” and borderline-obnoxious dictator.”
PRESSE
STIMMEN
T
W
Opernmagazin, Detlef Obens, 13.09.2025
"Lotte Kortenhaus in the role of Flora Bervoix is luxury casting for this relatively small but important part. With her stage presence, she delivered a portrayal of Flora considerable in both vocal and dramatic weight."
Wreckers
Opera, Jürgen Gahre, July 2026:
"Lotte Kortenhaus was a Thirza of great charisma. The Mezzo-soprano has a voice that is not only bright and beautiful, but also fully capable of conveying the enormous emotions of her role."
Dead Man Walking
oper!, Georg Kasch, 27.05.2024:
“As Joe's mother, Lotte Kortenhaus succeeds in eliciting a cry of pain from her grief-stricken mezzo which sends shivers down your spine. She can also be velvety, as she recently proved in Xerxes."